Wednesday, May 13, 2015
In Isaac Pool's sculptural works, one encounters a series of quasi-figures that are abject but also extremely funny. Such works (for lack of a better term) conjure awkward forms of presence, subtly echoing a landscape and idiom of post-disaster capitalism Detroit where he is from, but also of a queer habitus after the Internet. The poems in this book provide an integral context for Pool's aesthetic practices. Navigating familiar institutional and social spaces, they tell a story of the promethean courage by which one transcends their class origins while remaining faithful to their cultural background. Forms of life are mediated by objects (the photographs collected in the book show us this). There is a numinousness about objects and of private spaces that seem as disposable as they do otherworldly (light stains?).