Friday, July 04, 2008

People Are Strange (When You're a Stranger)

Presented by Marisa Olson

Tuesday, July 8, 2008 at 8pm
55 33rd Street, 3rd Floor
Brooklyn, NY
Ticket Price - $6

"People Are Strange" will be a night of multimedia performance and projections revolving around the release of Marisa Olson's new artist book, Poems I Wrote While Listening to the Doors, 1992-1994 (Before I found the internet). Written by the artist in high school "while burning incense and listening to the Doors," whose lead singer she then perceived as an "under-appreciated poetic genius," they are now a record of an active artist's earliest creative efforts and they provide evidence of an obsession with music, genre, psychology, and personal narrative that shines through in her more recent artworks. The title and form of the writings refers to a previous obliviousness to the internet, despite the fact that network culture (and particularly blogging or online diarism) have ultimately had a huge impact upon her practice. This evening will continue Olson's ongoing interest in public humiliation and the aesthetics of failure, from which she believes we can learn more, politically and personally, than from success. A handful of distinguished poets will read short excerpts from the book, a few experimental musicians will turn her words into lyrics, and of course Olson will do some singing and reading of her own. All of this will be mediated by live visual projections and recorded music videos created by the artist in an effort to reconcile past and present, word and image. Participating poets and musicians include Thom Donovan, Stephanie Gray, Christian Hawkey, Dorothea Laskey, and members of the bands Professor Murder, Aa, and Taigaa.

About Marisa Olson

Marisa Olson's work combines performance, video, sound, drawing, and installation to address intersections of pop culture and the cultural history of technology, as they effect the voice, power, and persona. Her work has recently been presented by the Whitney Museum of American Art, Centre Pompidou-Paris, the New Museum of Contemporary Art, the 52nd International Biennale di Venezia, the Edith Russ-Haus fur Medienkunst, Nederlands Instituut voor Mediakunst/Montevideo, the British Film Institute, the Berkeley Art Museum/Pacific Film Archive, Glowlab, and Free103Point9. She is also a founding member of the Nasty Nets "internet surfing club" whose new DVD recently premiered at the New York Underground Film Festival. Her work has been written about in Artforum, Art in America, Folha de Sao Paolo, Liberation, the Village Voice, New York Magazine, and elsewhere. While Wired has called her both funny and humorous, the New York Times has called her "anything but stupid." Marisa studied Fine Art at Goldsmiths College-London, History of Consciousness at UC Santa Cruz, and Rhetoric at UC Berkeley.

About Light Industry

Light Industry is a new venue for film and electronic art in Brooklyn, New York. Developed and overseen by Thomas Beard and Ed Halter, the project has begun as a series of weekly events at Industry City in Sunset Park, each organized by a different artist, critic, or curator. Conceptually, Light Industry draws equal inspiration from the long history of alternative art spaces in New York as well its storied tradition of cinematheques and other intrepid film exhibitors. Through a regular program of screenings, performances, and lectures, its goal is to explore new models for the presentation of time-based media and foster a complex dialogue amongst a wide range of artists and audiences within the city.

Tuesday, July 01, 2008

Black Field II

What I forgets to leave
Here and what I forgets
It is here not home to itself

Like bodies the fan whirs
In the room a metaphor
Or something for conscious

ness this voice around
The air is something you
Swear to this that you will

Be you to me so this darkness
Where I must imagine your
Touch is more than me

Or you this discourse of
The senses more than any
thing one amounts to.