Sunday, May 07, 2006

Drawing Restraint ("second summer shed")


“Cocoon above! Cocoon below!”
--Emily Dickinson


A place for perforation
The spirit-skin

Because it is dark
We can only pretend

Where hands end
Knives begin.

*

This is of neither of our ends
Nor constitutive of a means

Invisible bees for effect
And amputations together

We make a new soul
Our vessel is called creation

Vigilance is made from a mold
Whereof we are this eventual crust.

*

Horror being made
Of these products and joy being made

Of these ducts
Culture is a process

Of horrifying enjoyment
These limbs beginning in the soul

Are delimited and first:
"My life, my gas"

*

Being a drawing...

Sex is a mouth full of pearls
and blackened teeth

Sex is a decision for decision,
l'esprit de corps.

*

To ceremony The Open.

To perforate envelope.

Cocoon above, cut below.

*

"In thoughts of the visions
of night, I saw

long rows of angels in paradise,
each with his hands

in a jar of spermeceti."
"Who would think, then,

that such fine
ladies and gentlemen

should regale themselves
with an essence

found in the inglorious
bowels of a sick whale."

4 Spiritual Poems

"Instinct intent on its own preservation does not touch, because it does not encroach on cinders that replace distance but affect no space."
--Louis Zukofsky

1.

All the glass disappeared.
All the cases.

Only the case
Was left. In other words

Other words
Will fail us if they don’t

Now they will then.

The proximity of dark
Informing our kindred
Hyperspaces.

The pen
Of the hid.

The holocausts
Still kindled.

2.

Love thought too much.

We decided
To decide.

We decided there should be
A third party

Whose body
Should purely be

An object
And we will enjoy

That object as if
It were each other’s body.

The video plays on but
What will be sovereign.

3.

Imagine the dark were your
Body.

An envelope for
Your body. Your body

An envelope
For thought.

Thought an intention
Of feeling.

Feeling a parousia of cause.

4.

“He wouldn’t
Say shit

If his mouth
Were full of it”.

Two Sonnets

for Stephen Ratcliffe

Grey-green room into
One thought out the other
Remarks on color music
A skeptic’s ear can only render

Belief for the eyes all the times
Time becomes interesting
This interest itself a context
Of pulses and pulses circling

The face of all interiors
Grey-green room waves describe
Walls as gestures
All that interested him anymore

Were deictics like
Revolutionary categories.

It would be a word of interest
And sound would be thought’s mine
We wouldn’t stop pointing
Not at the body somewhere else

Nor at the bottom of bottom
In the staging of the real
The stage directions real also
A real finger pointing to an actual ghost

Of words a gas of vaseline
And ultimate animations cartoonish
Primogeniture where words
Can’t be put a point is a place for us

We too Banquo we too
Weather and a place to put it.

Friday, May 05, 2006

Black Garden Wall III*


I had to have totality night and day
– Louise Nevelson

There will be no cover not the night not even with night
– John Taggart

Other means are thus admitted to the circulation
of the nowhere seen, everywhere disturbed:
variorums of variation at the columns of the colorless.
– Charles Bernstein


IT IS A SNUG DARK
WE SEE PRINT TO FIT
TOYED-WITH
MOLTEN SHAPES
FALL FROM SENSE
TO FORM FLOWERS
WE CAN’T SEE


ADHERENT ADULT BORN
NECESSITOUS AND SHAPED BY FACT
A BOX SNAPS
TO SPRAYED WOOD
JOINED BY
MOLTEN SHAPES


COLLECTIONS ENCLOSURE
CLOSER
WHAT DO YOU ADD TO SING
THINGS ADHERENT AND
NECESSITOUS BY CHANCE
SUNLESS
IN COLORLESS PEACE
SOVEREIGN SUBSIDING ONLY TO PARTITION

TO RECALL FROZEN TRINKETS
OF ECSTASY EVERYDAY THIS
COLLECTION THIS COLLECTION
EVERYDAY
THE WAY APPEARANCE FREEZES
A BALL


A RAY
FILL TIME WITH THESE
ENCLOSURES DARKLING
WHO WILL BREAK
THEIR FRAME
THIS PLEASURE TO ADD
THINGS
TO THINGS


SUNLESS A STEALTHY DEPTH
SUNNY HOLOCAUST ENDLESS
BETRAY THE MAINE ARTIST
STAGE NAME OF HISTORY
VOYAGE



HALTS THE NOT YET PARTITIONED
SUNLESS STEALTH OF SPRAY
TIME AWAY AND TIME AWRY AGAIN
DECUSSATION FRAME UNHIDDEN
EMPIRE PROMINENT STAR




PLAGUE LANDSCAPE WORK
RECEDED OR HERE
HILL-LIKE THAT NO LIGHT WILL REFLECT
A STRUGGLE OF TIME TO FILL
A COLORLESS MIND
WITHOUT OUR SLEEVELESS SHAPES

*composed Summer '05.

"by this felt necessity"

The Eternal Return is merely the mode of its development. The feeling of vertigo results from the *once-and-for-all* in which the subject is surprised by the dance of *innumerable times*: the *once-and-for-all* disappears. The intensity emits a series of infinite vibrations of being, and it is these vibrations that project the individual self *outisde of itself* as so many *dissonances*. Everything resounds until the consonance of this single moment is re-established, where the dissonances are once again resolved.

At the level of consciousness, meaning and goal are lost. They are *everywhere* and *nowhere* in the Vicious Circle, since there is no point on the Circle that cannot be *both the beginning and the end*.

Finally, the Eternal Return, at its inception, was not a representation, nor was it, strictly speaking, a postulate; it was a *lived fact*, and as a thought, it was a *sudden* thought. Phantasm or not, the experience of Sils-Maria exercised its constraint as an ineluctable necessity. Alternating between dread and elation, Nietzsche's interpretations will be insipred by this moment, by this felt necessity.
--Pierre Klossowski

Tuesday, May 02, 2006

"to not to have left"

*Look in your own ear and read.*
--Louis Zukofsky

An island
Has a public quality.
--George Oppen

Why is you at my house?
--Gregg Biglieri

To not to have left
Is to interrupt
Becoming for whose sake
The primitive transgression
The genital speech
Sand castles in
The misc en scene

The missing scenes
Contraptions watch
Virtual spots
Tunneling to not
To have been heaven yet
A theme develops
Across these pictures
Prophesying
The way a scolded
Daughter becomes an
Allegory

An allergy of borders
Patrol the primitive marks
Make of subject
Identities for centuries
Ingressive pitch
Like a child's
Eyes to have opened
History history then
Grows sleepy
Your ears for others
Look into your own

Other drowning men
In other words survivors
Interrupted to be a singular
Footprint is to shudder
It is not only to see out
To those other islands
But to contact
Their inhabitants a kind of contact
Lens the shattered
Alighting in our wildness
Monadic as a window cracked

A theme develops
Across these waves wrecks
Disasters of we
Ventures of you
With an I for borders
To convey another route
Out of the cave others
Dig a hole inside the self
Travel to be at home
In a parole of eyes
Speech of servitude
Holier hostage

Tranquil Interiors


after Gregg Biglieri’s *Sleepy With Democracy*
and Guy Ben-Ner's *Berkeley’s Island*


This island called nations
Abounds

In holes
The ecstatic whole
Of home

Lands when the trees
Tunnel
The walls would just kill

Star persists
However it
Might tussle

When dissolves to wind

*

Against the all
The *beyond-in*
These islands are

Perverse 'the-more
In being watched
And watching been.

A Western will
In an Eastern wind
Captivities capsize O our
Unwitting linoleum.

The windows
Of darkened dwellings
Delimit the comic invasion.

*

The despair of nations
Singing
Out to be actual.

To be not merely
For what we are
Tunneling.

And what we mark
These islands only
Not will be saved.

Not in this time of nations.

*

You have built
A house not limited
By earth.

Nor by sky
But a sleep
Of our making.

History a tree
Making snap
A shape

Of things
To dwell or not
To dwell in.

Not all
Interiors are
Interiorizing.

A house
Not always
A home for allegory.

*

Your house calls:

Nosotros, el Pueblo
de los Estados
Unidos,

a fin de formar
una Union mas perfecta,
establecer Justica,

afirmar la tranquilidad
interior, proveer
la Defensa

comun, promover el
bienstar general y
asegurar para

nosotros mismos y
para nuestros
descendientes los

beneficios de la
Libertad, estatuimos
y sancionamos

esta CONSTITUCION
para los Estados
Unidos de America.

*

“As you are no more than this… a tone.”

“Trembling veil, my limit.”

“Enlarged seizure.”

“Speak to the tongue it tells.”

*

If we dig a whole far enough
Or number shudders
Or a single pane
Survives

The body
What camera
Can’t be a camera
For Kant’s sublime?

An ontological cant
A kind of prick
A not is not a whole
For we are presenced

A burden to present
Overflowering this old
Extension, extending
This lens, anews

(A shoot if you will)
Points and chutes
The lines live forever
But more importantly more

Descendents arise
Defend transcendent
Abeyant Phoenix
To dovetail nicks

*

Not in this time of nations.