Thursday, June 01, 2017

cris cheek's Pickles & James (blurb)

Creative mishearings, extemporized speech, pattern/algorithm/procedure, typos (“Your typos / leak wisdom”), phonemic salad, technological fuckery… this is the stuff that cris’ work seems made of to me. Often he retains a certain syntax—a syntax of official “English,” and of past (official) English poets—deterritorializing it by bringing the arbitrariness of the phrase to a saturation point—and by this means breaking into “englishes.” Yet, when these poems stop playing they become deadly serious, arresting us with their melancholic romance and/or rants against racial capital and/or precise indictments of the (white male cis) liberal subject. Pickles & Jams offers a sustained and multi-modal demonstration of an anti-authoritarian language practice where the poet seeks “not a plain language but / a poetry advocating on behalf of resistance to external authority.” It extends cris’ ongoing investigation into and manifestation of a late-Antinomian tradition.

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