Michael Cross posted a few paragraphs from the talk I gave in Bflo this past Friday, "Meta-Discourse and the (Post-) Digital Book (How The Hole Is Still Being Made)" at his blog, The Disinhibitor. Thanks to Margaret Konkol for organizing the talk, and for the great conversation and company of those in attendance!
How to instill the book with living presences that may bear witness to a set of social constellations and coordinates without doing harm to the participants/what has been offered through often unreflective and spontaneous forms of participation? How to resist this move as a gesture invested with cultural capital or as a move in a kind of art game while still being able to reflect critically upon it, or simply acknowledge its tendencies? The prefaces that I intend to include within The Hole, in this regard, reflect both the content of the would-be book, but also how the book is always a kind of performance within a discourse, and specifically as this performance is addressed to one’s peers, friends, and contemporaries (if only after the fact). How not to render lame (or dead) a process that one loves (or has loved) and wishes to further extend? How to circumvent the inevitable tendency for such ‘projects’ to become captured by staid forms of institutionalization, archivalism, or academic research; the negative forms of distribution and critical reception that pervade both commercial and academic culture (however much all of us work in relation to these cultural locations)?