I just posted my 2nd post at Poetry Foundation's Harriet blog, regarding "radical cruelty and second reflection" in the work of Santiago Sierra:
"The poems that I write (and much poetry that I find attractive) is nourished by a devotion to intermedia, and a desire to understand images by using the poem as a means of processing. In general, I am interested in these uses of the poem: the poem as intuitive plastic, as pedagogical tool, as preposterously critical, as (presencing of) second reflection. Perhaps, as Charles Bernstein suggests in his collaboration with Richard Tuttle Reading Red, one can write a poem that acts not merely ekphrastically (outside or about the image), but that somehow speaks with or from the position of the art work.* What, a la Wittgenstein, would the image say if it could speak?"