reviewed in The Brooklyn Rail:
http://www.brooklynrail.org/2009/11/dance/william-forsythes-decreation-at-bam
"Reading Simone Weil this past week before reviewing Decreation, it became clear to me just how unidimensional Forsythe’s rendering of Weil’s idea of decreation is. At times I want to cry reading Weil, whose pages offer metaphysical insights hard-won from her life of pain, deprivation, and self-elected martyrdom (Weil was born into an agnostic middle-class French Jewish family, yet throughout her life chose to live among and, perhaps more importantly, undergo the suffering of the poor—their work routines and social struggles). However painful romantic encounters can be, no romantic encounter can compare with Weil’s decreation, which refers to the struggle to overcome the creaturely within human existence in order to experience God as a feeling of eternal time and space. Weil’s seeking of conditions of poverty (material, sexual, physical, and otherwise) was no doubt her way of decreating, and thus, as Carson puts it, “telling” the eternal."
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