To matter ark split into a few skies lights of birds resourceful interior here
Every split in place the house a banister a stair wainscot a stair split a glare shaved into light light breaking split walls in camera
Document of what split what didn’t happen the light we are seeing it now seeing transfixed a light breaks splits upon the eye
The crescent eye cats eye a wedge of fruit light the crescent light cats eye a wedge of fruit it may be greatest when it breaks
Greatest interior greatest exterior greatest in greatest exterior greatest when any break upon break open or split greatest fruit
A test of relation perspective sudden exterior light breaking breaking upon homes breaking open do you feel at home any longer within this enclosure
Within this line sing it seeks it seeks the end of time the beginning of this line a wedge broken upon determination determination at home in its small frame made of blood
Blood the body can’t hold the body a frame can’t hold the light entirely from outside as it breaks open it breaks open aspect and position
Position position once position once of of this foot this foot on the stairs position once once of this eye on the second story of space jigsawed
Jigsawed the frame frame of the body blood now flows outside now the stairs can be seen from an eternity of no position on the stairs no ascension or descending
The light also zips it jigsaws tsim tsum some songs it also sips it zips jigsaws a racing stripe straight up and straight down tsim tsum breaking the little frame of this world the biggest little song an aneconomic line tsim tsum sing the blood blow light from outside
The house blood flows blood fills outside plentiful it flows it fills anything a light it meets outside its little frame how long did he saw to see how long how long did he carve to invite the biggest slice of light fullest wedge
No description is just but the photograph of the split wedge into eternity no description just a sliver an indefinite wedge splitting into infinity a wedge opening upon
Opening song tsim tsum opening song of the opening line a wedge a wedge a wedge widening expand the width of this line for most
Josephine the biggest little song piping what to do with a shaking frame emotion a motion of this still frame it is split now a song shaking in its tiny frame again
Piping position position on a stage an eternity of stairs eternity of this breaking it seems to take forever to split this photograph is simultaneous
A document piping shaking in its photograph to capture eternity capture no light during a moment it first broke was there ever any first
Breaking any first breaking of the waves creatures mouse folk their tiniest frames house its tiniest frame he breaks eternity up he cuts up the blood as wood and invites that light inside he makes it come
A host of sorts a kind of host a host taken hostage taken hostage by his own blood vertical in this rim tsim tsum
This wedge eternal vertical of this split this photograph is simultaneous only only to cut up space as time only to cut another view through time
Time to come to come to come time to come as if we saw through walls these walls are like mirrors for a time to come time to come in incidents nicks of time in events
This immeasurable distance suddenness of the next room the street below suddenness of the next walls floor below this immeasurable distance sudden perspective
If architecture could be off and on screen cut to off screen split build a house any place that can see through itself
A time to come
A time that wasn’t next the non-succession sentence of these walls windows a place no determinate position of everything seen through
Above or below or below or above or above or below or above or below this sudden succession this purchase of vision see through floors suspension
To a car on the street below a parked car in any succession of vision there is only suddenness a suddenness or perspective impossible movement inside an inside an outside produced by movement inside a vision
A vision of outside of these outsides inside blood flowing moving inside the outside of the frame a wildness of vision willed dissymetry of the seen in the saw jigsaw a seer
See and saw see and see
This will be occurring when a plan folds over the flight of the walls of the house the doors fly open because they no longer can disappear
Neither the mind or the eye can any longer appear neither position on the stairs not any this is an architecture anarche texture
Texture without beginning i.e. the there of a plan jigsaw a plan to begin again in this frame to produce an outside moving within
I’ll take this time to keep moving the mind the eyes forever without beginning or a way to see through to the street below
This occupation without beginning this moving among the rooms forever of a building which will be torn down again
Ephemeral perfectly ephemeral and necessary this matter ark this matter arcs within a movement of its own outside many positions splitting the house from without
From within house of those eyes house house of the mind the mind’s intention to follow floors and doors in habit
Splitting inside splitting splitting inside the houses of your best intention your best attention an attention to cutting who will see the outside moving inside cities beyond those interiors rushing blood inside inside
A house that can see through its builders intentions a house that can see through itself we have many times inside
Many times inside the light breaking in this is simply one line
Many times inside the eyes of that house breaking-up breaking-up a time inside a being at home no longer
No longer are there windows to simply see out of
Must being have an above or below
The house of being the street the sky I may see a car passing inside the holes of a house
Photograph to preserve the abandonment of that moving inside photograph preserve ephemeral necessity of decreating
No longer need we open doors to become a new interior to become a new interior to become exterior inside the house of being splitting publicly produce a private scene of being
Of being of no longer being in the house of being of being no longer split us into everything we can be as sudden movements surprise us
Photograph to mark what we are being what we are not being in the house what movement can be in the house what movement can be in the house no longer being being split photograph to mark such ephemeral necessity the condition of movement
To keep moving the mind without a home within a home that is not a home the eyes as windows not only to see out of to keep moving within them one must move within sudden space
The simultaneous planes the folds how many floors does being have not merely interior these windows is there an above or is there below
Are you in or are you out these floors floors of a saw seen mark where anything can be a place our feet can no longer cross over planes neither ascending or descending depth of field in an expanding errand
Errand an errand cut such vital lines ovular ocular of the blood flowing outside down to the street up to the sky above or below skies lights resourceful floors
Resourceful birds internal movement internal movements of exteriors an errand of seeing
An errand cut can be a place to be without position above or below abeyance without obedience without frames a sudden lightness of blood drift
Of blood too and blood one of blood of blood of blood too and blood one one blood one blood of too much sing of too much sing this light too much to see all at once this simultaneous blood circulating
In an errand of blood of blood tsim tsum Josephine mouse sing this tiny frame be abeyant house sing the sudden light photograph a voice too high
Not above or below but too high an ephemeral necessity of the errant why must we seem to move in space and not in time time of our simultaneous blood
Not above
Resonant
The skies light not above the sunlight daylight breaking in into the domestic a private life holds in abeyance one heart
Not below
The daylight we need the sunlight we need a jigsaw seen in this new light don’t merely hope for song
Structure shake a voice at dawn so long for so long sawing to see no plan fold every day
Daylight every daylight not above or below the plan of any seen moving in any scene soon
Simultaneously an errand for eyes simultaneous shake structure frames simultaneous outside inside a big little light breaks move within this public sky
Disappear to appear move within this private skies light inside this breaking light our ground splits
Ground ground of our being away our being away in other doors in other floors of being neither above or below skies light too high
Moving to see the simultaneous saw too much
Too high moving to see the simultaneous instrument of spirit an aperture an aperture in song too high to see simultaneous blood moving outside within
A way a plane a floor or a door to sing an aperture in song her shaking frame for mouse
Errant cut a way display a floor or a door for the entire house of being to be moving
For spirit to move errant cut a way wave of the saw motion once
Once out of its song its frame once out once inside the outside of light who is it for
What did he want to destroy what did he want to explain a way in the flood what did he in fact preserve
For time once out of this frame
For simultaneously only
Planes to outfit light
Blood swell cut planes to outfit light depths of field he preserves a simultaneity of movement time elapse space
Time once for time once out of this frame presupposing any form cutting to fold template
To fold plans what he wanted to reveal what he wanted to destroy forms of interiority interiority as preformed
Move many times move many times move many times move the eyes in a strange errand
Errand a precise cut into space to time this flight inside the eyes move over whole beams holes in preformed frames
This is a proposition for public space also call me anytime I am anywhere but here
This is a proposition to fold plans to destroy only preserve the breaking the splitting of that light
Open a window there are no longer any determinate windows this is a proposition for a form of production from which the eyes can stray
The mind wanders to cut a tunnel a door or a floor in uncertain focus time elapse in ovals each time split eclipse
This is a proposition for no position neither above or below a form
*composed Winter '05. An offline version of "Matter Ark" and an accompanying essay on Gordon Matta-Clark will appear in the forthcoming issue of Sarah Campbell's journal, P-Que.
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