"As rational metaphysics teaches that man becomes all things by understanding them, imginative metaphysics shows that man becomes all t...

Mirrors are For hiding in The light too Of incubations Towering Interiority of our Mirrors our Mirrors make Curves In the large Universe thi...

This ethic of resurrection, to which we have already referred (as an ethic of struggle against a retard, against a being-surpassed) shows us...

No center trapped no Ageless words the center Of our soon-to-be Innocent fire Fingers flick string To air happening again no Center trapped ...

Compensations for Not Knowing: a series of performances for video or elsewhere Materials: books / texts I and other performers “know” to var...

Bresson's characters are ideas, if not modernized archetypes; there is not psychological identification with them, as in action driven p...

I. “Everything is moving me up” Is not yet an angel Is an angel Not yet To forget what time isn’t What musn’t Be again Fatefully our immanen...

The light Thru the trees This camera tracks Their faces The trees of Their youth Say Naked My earth Is virtuous The capillary Lights The sho...

23. Nor will I sow joints. Joints of flesh, joints of wood what wainscot cites. Nor will I reap enfeebled bones. 24. A joy! A joy to bake on...

Does matter have eyes? Is there a vision of matter, that belongs to matter its self? Maurice Merleau-Ponty, in his late MS., *The Visible an...

This past Thursday, Dec. 8th I attended an event at PS1 celebrating the recent “visual issue” of The Believer. Here is a cross-section of a ...

Vicious Circles (Bresson) with Gregg Biglieri Love cannot exist between people -- Jack Spicer as the tremendous volume of the music takes ov...

Cruelty is to nobility as meanness is to bourgeois subjectivity and other drudgerous levels of "selfhood" ...where nobility = aris...

The awaited bombs, the mounds of skulls, the Kalashnikov guns, the infant dressed for fame, they are all now too not that they would admit i...

Deren's final image of a woman 'suicided' in Meshes of the Afternoon is an ambivalent image. It is, what's more, an ambivale...

Motor co-ordination (or lack thereof) of Deren's figure (in dream). This is a film abt. dream experiences, a descent into Bergson's ...

"Dance is innocence, because it is the body before the body." -- Alain Badiou A drawn out time of pictures are twigs of us carried...

to Chantal Akerman The most angelic sex may be between two women (or so many more) after the open road of men and after a mirror of one'...

To repeat a light to repeat before before the stairs ascending stairs like a ladder with dolls and twigs as if a burden a suffering of each ...

What the eternal return expresses is this new sense of the disjunctive synthesis. It follows that the eternal return is not said of the Same...