"Dance is innocence, because it is the body before the body."
-- Alain Badiou
A drawn out time 
of pictures
are twigs of us 
carried 
are twigs of us carried 
carry us twigs of us and milk to parry 
To parry of us the forgetting 
of us broken 
and forgotten again
across time 
broken and the almost dark 
forgetting of having watched 
In trance 
painting is in the strokes 
the strokes 
of painting frozen 
and stopped stopped but not broken 
on a vast 
desert of paint 
Is us watching one climb 
a case 
of image is us watching 
the body 
move the body ascend 
stairs 
Is to repiece replace the body again 
as image this again 
of animation to ascend 
the image again 
This body thought it was not one to comprehend
it thought the body again 
in all good hearing of image 
it thought this body falling to accrete to ascend 
in one tableaux in another it thought 
this body again 
Repeatedly of parries of twigs it thought 
the burden of seeing again 
of enduring these tours of the dark 
I am not one for spilt 
milk I am 
not not one split for split pictures
I am not one for 
the whole to be broken 
for the hole too broken 
so I could be 
The stuttered body 
picture a thought 
for stuttering 
the whole of a falling 
light a failing 
light 
I am not for the composited split the deposited split
I am a light source again stuttered 
and falling through a painted source 
Which is light for now
I am not for not spilt milk 
I am the paintedness 
the stop and start of this hellish 
body the body we remember 
to intend 
I am only an instrument 
a light box when I want 
to be a sky 
as it rolls over and darkens a sky 
of bluest paint
I am part of the fallen 
I am of the risen again 
the risen discretely I am 
an image of paint departing 
from light sources uncertain 
These are the holes we make in hellish dark to descend to rise to descend again 
This is
The body 
we remember 
to attend 
I am a reason for this line 
of dark the line 
of light 
diagonals break 
the dark 
of climbing  
figures I am merely 
a picture 
an image recapitulated 
of the body 
We remember 
to resuscitate and 
break 
setting into motion
flight of burden 
flight of of and twigs to be 
resurrected and descend again 
on projected wings
I will not be split milk and I will 
not be entirely a light 
accreted by these sensed figures I am
Riven into the light 
dawns draws twilight of flayed flying 
I intend clouds a sense of flying
if you will make like an animate dance
histrionics are hell
Reacting the line activates a line again of light 
driven risen into 
no longer 
a no longer to be hell 
I have passed the time parried 
I am 
a puppetry of disjunctive 
force 
image parries 
an angel climbs an angel again 
in discernible pictures
I am a grade I am a degrading 
of angel image 
parried to be for the body 
Reunite with the body 
like film projects in a light 
box to be projected 
blow like that imminent 
wind his wind of late day 
Over time 
this re-acting landscape over 
and over 
this insensuous 
movement 
The Kleistian line then dances an Antichrist
diagonal lines of stairs to descend to ascend again
A line to descend is not to decline 
in grace to descend is not to decline
in grace the painted night it is to cover 
night light paint to repulse these makes 
these masks of paint
It is to ascend actually and weightless not unlike
 
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