Thanks to Caleb Beckwith and The Conversant
for publishing this interview I conducted with David
Buuck!
I think also about unlearning as much as
deskilling, to let go of mastery as the threshold of the literary and let the
materials and questions lead the work. Kaia Sand & Jules Boykoff have
written about inexpertise as a method—“inexpert investigation”
is one way they phrase it—and I find their line of thinking about research and
poetics compelling. At the same time, it’s a delicate balance between forging
forms of politically committed work through methodologies of deskilled
inexpertise (‘rigorous amateurism’ I’ve called it elsewhere) and simply half-assing
a bunch of genres/media one has only half-studied & calling oneself a
cross-genre performance artist or whatever. And of course to then try to corral
everything into a book, when so much of the work exists off the page, either
at/on specific sites or in/as time-based performances, means that failure is
inherent in the book form. Could we unlearn the book?--David Buuck
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