http://bombsite.com/issues/1000/articles/6508
Today I walked around my office and thought, this is what contemporary capitalism looks like, I mean, from the crudest, most painterly subject position. Subjects absorbed in rectangles. The perfect fit of our bodies and the rectangles, Bifo’s warning (full of pathos) concerning a world marked by connection replacing one that doesn’t fit, that conjuncts, that meets but doesn’t quite fit. I think “enframing the brink” is a key tactic—a parataxis of forms desperate to make themselves known to us, only available to sense perception on the brink and only representable by finding ways of framing the brink.
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