Wednesday, October 28, 2009
After Paul Chan's Sade
Body parts without bodies
Parts without parts
Anti-gravity pulls apart
The blue windows bits
Byts silhouettes provide
Place increasingly crowded
Flicker with bodies ace-
phalics on their knees
Bleeding cubes float
At the beginning am I
At the beginning use
Of wall as cage as
Screen saver like the
Flicker like of a sudden
Shudder iconoclast Matisse
Color bars end piece
Activate constructivisms
Malevitch black squares
Fall like the sky dangles
Appears institutional
Why Sade now why
Not Marx why not
Machiavelli or Spinoza
But for torture because
We are in a time
Of cruel affect and
Virtual commandment
Pornos squares
Are flat but create
Foregrounds contexts
The figures seen sil-
houetted like a Walker
Cliché (cut-out) they
Are gestural too these
Quivers shakes diddles
There is reference to Stein
Who overcame beginning
Again and again the
Porno of all narrative
Poetry will there be
An end to this again
And again goth animation
One commands with
Penis erect another
Trembles holding a
Square over their head
This giant negativity
Of what can’t be seen
Partial objects (shit)
Fetish objects reliquary
Remains rubble debris
Something trapped inside
Anamorphosis slight
Blur every one’s penis
Suprematist episodic new
Slaveries why would I
Destroy you once when I
Could destroy you ten
Thousand times (fascist
Aristocrats in
Passolini’s Salo) crawling
Holding lifting fucking
The limits of being
Human act bestially
Crawling on their knees
They make decisions
With their dicks carry
One another on others'
Backs there is also a
Spirit of Sade in labor
There is also a spirit
Of Sade in poetry.
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