Dear Crayon Subscriber,
Support Crayon! The Crayon coffer is near empty. There is too little money to cover the expense of printing what will be a 350+ page issue. Yeah, it’s gonna be BIG! Crayon 5 elucidates the diffi culties of refl ecting on beauty and the limits of presenting in language beauty and ugliness. Its dialogue of twenty-fi ve essays is accompanied by sixteen brilliantly complementary and contradictory book reviews, creating an intensively complex provocation and irreducible call for continuing discussion on what the art of poetry and of community will be. Crayon has succeeded due solely to the generosity and interest of its readers. We believe that the widest distribution of the 5th issue will occur if all participants, including authors, readers, and their institutions, fi nancially support the journal. Crayon 5 is scheduled for publication September 2007 – it will knock your socks off!
Please send $15 (or more) to subscribe to Crayon 5. We are grateful (we promise not to spend one cent on the maintenance of the Crayon Lear Jet) for your subscription. In order to save on your subscription, please send your check (and postal address) made out to Roberto Harrison to:
Roberto Harrison
2542 N. Bremen #2
Milwaukee, WI 53212
Sincerely,
Andrew Levy & Roberto Harrison Editors
SUBSCRIBE TO 5 NOW AND SAVE! 1/2 July 17, 2007
see Crayon 5’s contents on the next page...
SUBSCRIBE TO 5 NOW AND SAVE! 2/2
Essays on Beauty:
Beauty:
Another Reading
Beverly Dahlen
Some Limits of Ratio;
or, Aesthetic Has No Goal
Kristen Gallagher
Cardinal Numbers, Ordinal Beauties
by Joe Amato
porous, nomadic (or, para encontrar o
acontecimento impalávrel:)
Chris Daniels
K’isa/alangó
C. Vicuna
Beauty
Nicole Brossard
from Music For Porn
Rob Halpern
Using Blue To Get Black
Julie Patton
Prosodic Body
Robert Kocik
Ants on a String
Sawako Nakayasu
What Logic in a State of Insanity;
Or, Essay on the Dislogics of Beauty
Kristin Prevallet
Beauty’s Interrelation
Brenda Iijima
Beauty Note
Steve Benson
Gouging Beauty Standing
Nearer To an Action
Laynie Browne
3 Images:
* 21st Century Narrative:
Diagnostic Beauty Quilt
* 1980s Narrative:
Beauty is Perfection
* Afterlife Narrative:
Commodifi ed Love Object
Diane Ward
What Beauty after The Brothers Quay
Thom Donovan
bites from THIS IS THINKING
Alan Davies
Gentle Exfoliations /
for Andrew & Roberto
Alan Davies
A Cuff
Lisa Robertson
The Container for the Thing Contained
Michal Lando
With the Oldest Cherubim of Knowledge
Peter O’Leary
Some starts
Peter Inman
In the Planned Community,
& Stopping off at the Wetlands
Jonathan Skinner
Terrifying Angels: Aesthetics,
Digital Writing and Use
Andrew Klobucar
FORM AND STRUCTURE Reframed
A NEW “ON THE CULT OF THE ‘NEW’
IN OUR CENTURY”
Alan Prohm ‘07 translating Asger Jorn 1956
excerpting from Henry Van de Velde 1941
Poetry
A Reading: “...the Beautiful”
Beverly Dahlen
12 Poems
Linh Dinh
subliminal city
Belle Gironda
from Bicycle
Roberto Harrison
from Scratch Space
Andrew Levy
3 Poems
Corey Mead
5 Poems
David Pavelich
Ghastly Dew and Itasca (with glosses)
John Shoptaw
Those not worthy are scattered wide
Laura Sims
7 poems
Sally Van Doren
Book Reviews:
Industrial Poetics: Demo Tracks for a
Mobile Culture Joe Amato
Dan Machlin
Liar by Michael Amnasan
Robin Tremblay-McGaw
The Hermeneutics of Rupture:
Baraka’s Somebody Blew Up America
and Other Poems by Amiri Baraka
Tom Hibbard
Assertions for Steve Benson on Steve
Benson’s Open Clothes
Alan Davies
Open Clothes by Steve Benson
Brenda Iijima
“This is Abigail Child Moving”
This Is Called Moving: A Critical Poetics
of Film by Abigail Child
Kristen Gallagher
A Reading 18 – 20 by Beverly Dahlen
Stephen Vincent
Enthusiasm by Jean Day
Martine Bellen
Accidental Species by Kass Fleischer
Belle Gironda
Petroleum Hat by Drew Gardner
Kass Fleisher
The Destiny You Reverse May Be Your
Own – Making Dying Illegal by Madeline
Gins and Arakawa
Alan Prohm
Repression & Remnant:
Lola Ridge’s The Ghetto
Thom Donovan
Who Opens by Jesse Seldess
David Pavelich
Walking Theory by Stephen Vincent
Pat Reed
Hannah Weiner’s Open House
(& Interview with Patrick Durgin)
Judith Goldman
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