http://greetingsreadings.org/Greetings_Readings/Thom_Donovan.html

The new Afterimage double issue features an essay I wrote about Corina Kennedy's "Tender for All," an exhibit which appear...

The following is from a review  of Renee Gladman's Prose Architectures written for Hyperallergic: Gladman imagines writing in Englis...

unbag Issue 2: End is now available for pre-orders! This issue features critical essays, literary works, visual art, and web-specific p...

Sell snowballs and plunge outside Be the noise you want to see No authority just you and me Making common shadow Recovered from visibility F...

Here is an audio recording of a reading I gave from "Ressentiment," the second part of my ongoing anti-memoir, Left Melancholy , a...

https://apporteditions.wordpress.com/books/ Originally intended as the beginning of a collaboration with another wr...

ON Contemporary Practice is proud to announce An Online Compendium and Accompaniment , edited by Rob Halpern and Robin Tremblay-McGaw...

Capital doesn’t really want us to be friends Neither does whiteness Friendship under racial capital is a structure or system of d...

I need my space The t-shirt with stars says While the malls burn all around The barricades being built Until they are one with vi...

The new Tripwire contains some notes I took about Bhanu Kapil's Ban en Banlieue and composition through note-taking. TRIPWIRE 13 :...

My review of Melissa Buzzeo's The Devastation just hit the streets: She writes “not writing” (90), which is to say, writing at a thresh...

Excited to be participating in the big New Narrative jam in Berkeley later this October. And to be on a panel with Mike Amnasan, Sara Lars...

From Our Hearts to Yours: New Narrative as Contemporary Practice  offers the first comprehensive anthology of essays regarding New Narrat...