With gum for eyes With brains For hands We do not fly We sink like A syrup In the head The mind Is this syrup. * Coupling. Gross wing. A pon...

Permission for Robert Creeley This poetic mood approaches the state in which what is present appears as present. Do you find it so abstract ...

The turbines of elephants Other animals Churn in the eyes of the face The stars of those eyes Stuttered cries and slatted Sibilance strobes ...

*forthcoming in Sarah Campbell's P-Queue.

Children's books do not serve to introduce their readers directly into the world of objects, animals, and people, into so-called life. R...

There is a certain mist Mistaken for memory A gauze or filter Which teleports the words Over fields fields over pools And pools over an umbi...

In an interview in 1992 by Michel Denisot on the French cable station Canal+ for the release of *Fire Walk With Me*, Lynch was asked about h...

Sometimes a wind blows/ And you and I/Float/In love/And kiss/Forever/In a darkness/And the mysteries/Of love/Come clear -David Lynch (quoted...

Outcome We see every outline as them And yet they are not we veiled By this event not desiring To be gathered again By some historical opera...

Home Is For Miles Those buildings so painfully foreign Of your life scarred and grown Inwardly recalling them in pieces I became afraid At a...

For Harun Farocki I. If a tree falls and the only witness is the image of the tree… If the image itself is rootless where fantasy doubles an...

This little book, a book without a title and comprised “merely” of 30 digital reproductions of Polaroid photographs taken of table settings,...

“A divergence without combat, or a peace with neither conquered or conquerors.” --Emmanuel Levinas *Peace On A* series presents Alan Gilber...

Restore form for the undead hover craft Light is a fullness of exposure Photography ensures a future for these words names Remain in light d...

to Gordon Hadfield TO H OVER F OUR CORNERS CAP A PAST OF HOUSING SPL AY SP Y THE D I FFERENCE DW...

Towards Exterior: on a photo-document of Gordon Matta-Clark’s *Splitting* In the late 60’s and early 70’s, Chilean-American visual artist, G...

“Cocoon above! Cocoon below!” --Emily Dickinson A place for perforation The spirit-skin Because it is dark We can only pretend Where hands e...

"Instinct intent on its own preservation does not touch, because it does not encroach on cinders that replace distance but affect no sp...

for Stephen Ratcliffe Grey-green room into One thought out the other Remarks on color music A skeptic’s ear can only render Belief for the e...